Live from Gatorville
Classic American rockers and Rock & Roll Hall of Fame inductees, TOM PETTY AND THE HEARTBREAKERS (March 1, 2007) accompanied by special guest, Stevie Nicks, perform such hits as 'American Girl,' 'Learning To Fly,' and 'Stop Draggin' My Heart Around.' The performances were all filmed in Petty's hometown of Gainesville , making this an emotional and electrifying evening for him.
Showing posts with label Soundstage. Show all posts
Showing posts with label Soundstage. Show all posts
Tuesday, December 19, 2006
Monday, February 7, 2005
Soundstage DVD Review
Webmasters comments: This is an extremely thorough review and a very good read. Tom Petty & The Heartbreakers' shear talent shines again with these performances. I thought PBS was a "non-profit" organization. Last week I spoke to someone close to the band that said PBS knew they had incomplete imformation and released the DVD a month early anyway. They also told me the "Extra Features" were "shocking." My music business experience has been nowhere near this persons', but because of it, shocking is not in my vocabulary! I buy DVDs to see the band play live. But, PBS could have made this DVD so much cooler. They had access to an incredible amount of information. Companies (and most people for that matter) are never what they say, they're what they do. It seems, PBS just released it to reap the rewards of Tom Petty's talent and name alone. Non-profit my ass. Read Joe's comments on the extras below. Excluding the eight extra performances, I would have given that section an F.
Digitally SoundReview By: Jeff Rosado Published: January 18, 2005
Stars: Tom Petty, Mike Campbell, Benmont Tench (Jeff printed "Bentmont"), Ron BlairOther Stars: Steve Ferrone, Scott ThurstonDirector: Joe Thomas
MPAA Rating: Not Rated for (nothing objectionable)
Run Time: 02h:09m:00s
Release Date: January 11, 2005
Genre: rock
Style Grade - A+
Substance Grade - A+
Image Transfer Grade - A
Audio Transfer Grade - B+
Extras Grade - B+
DVD ReviewGrowing up in the Florida town of Gainesville in the mid-1960s, then-budding rocker Tom Petty was influenced by a wide range of artists including The Rolling Stones, The Beatles, classic '50s-era guitarists (like Chuck Berry and Buddy Holly), and assorted slices of country, psychedelia, and garage band 45s.
2005 marks a very special milestone for the artist and his five musical compatriots, who together collectively form Tom Petty and the Heartbreakers. Thirty years ago, the guitarist reconnected with fellow Sunshine State natives Mike Campbell and Benmont Tench in what became a partial reunion of a past band dubbed Mudcrutch. Drummer Stan Lynch and bassist Rob Blair completed the new line-up, which didn't take long to land a recording contract with ABC Records subsidiary, Shelter. Success was a little bit later in arriving, though, and not without a lot of stress, including record company changeover and Petty's filing for bankruptcy.
In the two and half decades since, Tom Petty and the Heartbreakers have amassed a musical discography equal to that of their rock and roll heroes (with a recent induction into its Hall of Fame to boot). Soundstage: Tom Petty and the Heartbreakers is a terrific dual-disc set that archives a recent pair of appearances by the group on PBS's popular live concert program.
In a refreshing change of pace from most high profile television gigs, the group downplays an expected greatest hits repertoire in favor of notable album cuts, engaging, rollickingly delivered cover tunes and new material, that taken on a whole, is mostly successful. In the latter category, two fresh offerings find Petty's songwriting chops in top form (the Wild West overtone of Melinda; Black Leather Woman, a classic Heartbreakers rave-up in the tradition of American Girl) while fans favoring the less appreciated cuts from terrific albums like Echo, The Last D.J., and Wildflowers will be happy to find the likes of Angel Dream, Crawling Back to You, and Lost Children amongst the set lists.
But it's the dips into the songbooks of Howlin' Wolf, J.J. Cale, and Ray Charles that offer the biggest satisfaction and most pleasant surprises (an Elvis-like run through I Got a Woman; the blues standard Little Red Rooster, featuring some excellent glass side work from Campbell; a downbeat Thirteen Days that sounds as though Cale conceived it with Petty's sneering vocals in mind. Still, some of you request shouters just won't be satisfied until you have a couple of hits in the mix, right? For you, I Won't Back Down, You Wreck Me, and a masterful Refugee (with yet another phenomenal piece of riffing from Campbell, one of rock's most underappreciated musicians).
Rating for Style: A+
Rating for Substance: A+
Image Transfer
Aspect Ratio:1.33:1 - Widescreen Original Aspect Ratio:yes
Anamorphic:no
Image Transfer Review: When even audience members are shot well, nicely lighted and exhibited with superb clarity, we're talking top of the heap. Let me disperse with generic superlatives for once. Simply put, excellent. Still, I have to dock it a notch for not being 16:9.
Image Transfer Grade: A
Audio TransferDS 2.0 English yes Dolby Digital5.1 English yes
Audio Transfer Review: A solid if somewhat unspectacular 5.1 mix, mainly front heavy with very limited activity in the surrounds, which are mainly relegated to applause (and even that is more upfront). Nice bottom end, too.
Audio Transfer Grade: B+
Disc ExtrasFull Motion menu with musicMusic/Song Access with 22 cues and remote accessPackaging: Keep Case Picture Disc2 Discs1-Sided disc(s)Layers: single
Extra Extras:Eight Additional PerformancesPhoto Gallery (18)Discography/The BandBackstage PassText Biography/InterviewExtras Review: Most extras appearing on Soundstage DVD releases thus far have been so minor as to be laughable (the so-called "Interview" with Petty consists of a mere two quotes in text; I've read more post-game comments from a high school football coach in the local paper), but on this two-disc set, they've come up with one bonus section well worth commenting on.
No less than eight additional performances are contained on Disc 2, with six of those coming from the series' cutting room floor, including fun covers of Buddy Holly's Not Fade Away, and The Rolling Stones' Down Home Girl; a killer version of Petty's Yer So Bad (from the classic Full Moon Fever album) and the underrated Heartbreaker's track Walls (from the She's the One soundtrack). The remaining bonus tracks come from Petty's recently released DVD of The Last D.J.: Live at the Olympic (which the bandleader must still be trying to peddle; first came the album of the same name, then the live DVD companion, and now these samplings. Maybe he's got a surplus of compact discs in the attic to get rid of... a shame, because D.J. is a terrific piece of work).
It's ho-hum, twiddle your thumbs as far as the rest of the supplements: a photo-gallery of 18 freeze-frame shots from the show; a Meet The Band section with very little insight; Backstage Pass consists of nothing but tech-mumbo jumbo on the production techniques for the program; and a complete discography.
Extras Grade: B+ (gonegator.com's grade - F!)
Final Comments Soundstage: Tom Petty and the Heartbreakers finds one of rock's most entertaining, dependable and just plain rockin' bands in top form. Highly recommended.
Digitally SoundReview By: Jeff Rosado Published: January 18, 2005
Stars: Tom Petty, Mike Campbell, Benmont Tench (Jeff printed "Bentmont"), Ron BlairOther Stars: Steve Ferrone, Scott ThurstonDirector: Joe Thomas
MPAA Rating: Not Rated for (nothing objectionable)
Run Time: 02h:09m:00s
Release Date: January 11, 2005
Genre: rock
Style Grade - A+
Substance Grade - A+
Image Transfer Grade - A
Audio Transfer Grade - B+
Extras Grade - B+
DVD ReviewGrowing up in the Florida town of Gainesville in the mid-1960s, then-budding rocker Tom Petty was influenced by a wide range of artists including The Rolling Stones, The Beatles, classic '50s-era guitarists (like Chuck Berry and Buddy Holly), and assorted slices of country, psychedelia, and garage band 45s.
2005 marks a very special milestone for the artist and his five musical compatriots, who together collectively form Tom Petty and the Heartbreakers. Thirty years ago, the guitarist reconnected with fellow Sunshine State natives Mike Campbell and Benmont Tench in what became a partial reunion of a past band dubbed Mudcrutch. Drummer Stan Lynch and bassist Rob Blair completed the new line-up, which didn't take long to land a recording contract with ABC Records subsidiary, Shelter. Success was a little bit later in arriving, though, and not without a lot of stress, including record company changeover and Petty's filing for bankruptcy.
In the two and half decades since, Tom Petty and the Heartbreakers have amassed a musical discography equal to that of their rock and roll heroes (with a recent induction into its Hall of Fame to boot). Soundstage: Tom Petty and the Heartbreakers is a terrific dual-disc set that archives a recent pair of appearances by the group on PBS's popular live concert program.
In a refreshing change of pace from most high profile television gigs, the group downplays an expected greatest hits repertoire in favor of notable album cuts, engaging, rollickingly delivered cover tunes and new material, that taken on a whole, is mostly successful. In the latter category, two fresh offerings find Petty's songwriting chops in top form (the Wild West overtone of Melinda; Black Leather Woman, a classic Heartbreakers rave-up in the tradition of American Girl) while fans favoring the less appreciated cuts from terrific albums like Echo, The Last D.J., and Wildflowers will be happy to find the likes of Angel Dream, Crawling Back to You, and Lost Children amongst the set lists.
But it's the dips into the songbooks of Howlin' Wolf, J.J. Cale, and Ray Charles that offer the biggest satisfaction and most pleasant surprises (an Elvis-like run through I Got a Woman; the blues standard Little Red Rooster, featuring some excellent glass side work from Campbell; a downbeat Thirteen Days that sounds as though Cale conceived it with Petty's sneering vocals in mind. Still, some of you request shouters just won't be satisfied until you have a couple of hits in the mix, right? For you, I Won't Back Down, You Wreck Me, and a masterful Refugee (with yet another phenomenal piece of riffing from Campbell, one of rock's most underappreciated musicians).
Rating for Style: A+
Rating for Substance: A+
Image Transfer
Aspect Ratio:1.33:1 - Widescreen Original Aspect Ratio:yes
Anamorphic:no
Image Transfer Review: When even audience members are shot well, nicely lighted and exhibited with superb clarity, we're talking top of the heap. Let me disperse with generic superlatives for once. Simply put, excellent. Still, I have to dock it a notch for not being 16:9.
Image Transfer Grade: A
Audio TransferDS 2.0 English yes Dolby Digital5.1 English yes
Audio Transfer Review: A solid if somewhat unspectacular 5.1 mix, mainly front heavy with very limited activity in the surrounds, which are mainly relegated to applause (and even that is more upfront). Nice bottom end, too.
Audio Transfer Grade: B+
Disc ExtrasFull Motion menu with musicMusic/Song Access with 22 cues and remote accessPackaging: Keep Case Picture Disc2 Discs1-Sided disc(s)Layers: single
Extra Extras:Eight Additional PerformancesPhoto Gallery (18)Discography/The BandBackstage PassText Biography/InterviewExtras Review: Most extras appearing on Soundstage DVD releases thus far have been so minor as to be laughable (the so-called "Interview" with Petty consists of a mere two quotes in text; I've read more post-game comments from a high school football coach in the local paper), but on this two-disc set, they've come up with one bonus section well worth commenting on.
No less than eight additional performances are contained on Disc 2, with six of those coming from the series' cutting room floor, including fun covers of Buddy Holly's Not Fade Away, and The Rolling Stones' Down Home Girl; a killer version of Petty's Yer So Bad (from the classic Full Moon Fever album) and the underrated Heartbreaker's track Walls (from the She's the One soundtrack). The remaining bonus tracks come from Petty's recently released DVD of The Last D.J.: Live at the Olympic (which the bandleader must still be trying to peddle; first came the album of the same name, then the live DVD companion, and now these samplings. Maybe he's got a surplus of compact discs in the attic to get rid of... a shame, because D.J. is a terrific piece of work).
It's ho-hum, twiddle your thumbs as far as the rest of the supplements: a photo-gallery of 18 freeze-frame shots from the show; a Meet The Band section with very little insight; Backstage Pass consists of nothing but tech-mumbo jumbo on the production techniques for the program; and a complete discography.
Extras Grade: B+ (gonegator.com's grade - F!)
Final Comments Soundstage: Tom Petty and the Heartbreakers finds one of rock's most entertaining, dependable and just plain rockin' bands in top form. Highly recommended.
Tuesday, July 1, 2003
Tom Petty & The Heartbreakers Kick Off Soundstage
By Elysa Gardner, USA TODAY
Once upon a time, before American Idol was even a sparkle in some record company executive's eye, there was a show that offered already proven artists a chance to strut their stuff, unencumbered by hostile judges or goofy reality TV-inspired segments.
That was Soundstage, a PBS performance series that from 1974 to 1985 provided a classy forum for the likes of Bob Dylan, Aretha Franklin and The Temptations. Since then, a slew of programs modeled after or incorporating aspects of Soundstage— MTV's Unplugged, VH1's Storytellers, A&E Live by Request, PBS' own Sessions at West 54th Street — have helped fill the void for fans of live music concerts seeking an alternative to television's karaoke contests and elaborately produced superstar specials.
Like so many other '70s and '80s phenomena, Soundstage is trying to make a comeback. Thursday at 10 p.m. ET/PT (times may vary), PBS will relaunch the series with the first of three hour-long shows featuring Tom Petty and the Heartbreakers. In 10 other episodes set to air in the same slot, acts such as Lyle Lovett, Ashford & Simpson, Lucinda Williams and Wilco will join similarly celebrated colleagues. A special episode featuring Chicago will air July 26 as part of PBS' pledge drive.
Like the original, the new model is based in Chicago, where shows are taped at WTTW's 10,000-square-foot Grainger Studio. "Soundstage was groundbreaking in giving viewers a chance to be part of the audience," executive producer Randy King says. "Now we're trying to take it to the next level by utilizing the technology we now have. We want to get the viewer in the front row, or up on stage, where you can experience all the nuances and the interaction that you often can't even catch in a live venue."
But director/producer Joe Thomas notes the structure hasn't changed. "When I was in high school, Soundstage was the only show where you could hear live music without having someone your parents liked introduce acts. We've stayed with that format, opening with the credits, then going into an hour of music. It's as pure as you could make it for television."
Michael McDonald, who appears with other Doobie Brothers in an episode, agrees. "It's not very choreographed, so the audience's energy isn't stilted. It's the momentum you can get at a live show; people get more excited as the show goes on."
Many of the musicians appearing on Soundstage are, like McDonald, singer/songwriters with track records. King already has lined up several artists for a second season — among them Kris Kristofferson, Joan Baez and Sheryl Crow — who also fit this profile.
"These artists have had great careers, but it's becoming more challenging for them to get airplay," King says. "This is a chance for them to reach their fans."
Conversely, Thomas adds, "we have more young-oriented artists like Wilco who prove that, yes, there is a new crop of musicians who can do what Tom Petty has been doing for 25 years."
Once upon a time, before American Idol was even a sparkle in some record company executive's eye, there was a show that offered already proven artists a chance to strut their stuff, unencumbered by hostile judges or goofy reality TV-inspired segments.
That was Soundstage, a PBS performance series that from 1974 to 1985 provided a classy forum for the likes of Bob Dylan, Aretha Franklin and The Temptations. Since then, a slew of programs modeled after or incorporating aspects of Soundstage— MTV's Unplugged, VH1's Storytellers, A&E Live by Request, PBS' own Sessions at West 54th Street — have helped fill the void for fans of live music concerts seeking an alternative to television's karaoke contests and elaborately produced superstar specials.
Like so many other '70s and '80s phenomena, Soundstage is trying to make a comeback. Thursday at 10 p.m. ET/PT (times may vary), PBS will relaunch the series with the first of three hour-long shows featuring Tom Petty and the Heartbreakers. In 10 other episodes set to air in the same slot, acts such as Lyle Lovett, Ashford & Simpson, Lucinda Williams and Wilco will join similarly celebrated colleagues. A special episode featuring Chicago will air July 26 as part of PBS' pledge drive.
Like the original, the new model is based in Chicago, where shows are taped at WTTW's 10,000-square-foot Grainger Studio. "Soundstage was groundbreaking in giving viewers a chance to be part of the audience," executive producer Randy King says. "Now we're trying to take it to the next level by utilizing the technology we now have. We want to get the viewer in the front row, or up on stage, where you can experience all the nuances and the interaction that you often can't even catch in a live venue."
But director/producer Joe Thomas notes the structure hasn't changed. "When I was in high school, Soundstage was the only show where you could hear live music without having someone your parents liked introduce acts. We've stayed with that format, opening with the credits, then going into an hour of music. It's as pure as you could make it for television."
Michael McDonald, who appears with other Doobie Brothers in an episode, agrees. "It's not very choreographed, so the audience's energy isn't stilted. It's the momentum you can get at a live show; people get more excited as the show goes on."
Many of the musicians appearing on Soundstage are, like McDonald, singer/songwriters with track records. King already has lined up several artists for a second season — among them Kris Kristofferson, Joan Baez and Sheryl Crow — who also fit this profile.
"These artists have had great careers, but it's becoming more challenging for them to get airplay," King says. "This is a chance for them to reach their fans."
Conversely, Thomas adds, "we have more young-oriented artists like Wilco who prove that, yes, there is a new crop of musicians who can do what Tom Petty has been doing for 25 years."
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